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LIVE UPDATE

Finally got my 2012
lecture list updated.
About a dozen more
appearances this
year as seen on
ROBINSON LIVE


SHIPYARD FIRE 1936

CLICK HERE

HISTORY REPEATS:
The worlds biggest 
wooden building burns
in Kittery Yard in 1936

STOBART DOES SHOALS

Maritime painter
John Stobart created
new works just for
Portsmouth! That is
a very big deal
READ MORE

 

SLAVE OWNING GUV?

Don't miss this debate
-- Did Gov. John Langdon
own slaves? Historians
say signs point to NO.
CLICK HERE


 

SHOW IS OPEN!

Six months of work
and the doors are
finally open free
so get on down to
UNDER THE ISLES
OF SHOALS


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Home Seacoast History History Matters The Lost Christmas Classic of Celia Thaxter
See my brand new autographed gift book click here
The Lost Christmas Classic of Celia Thaxter Print E-mail
Written by J. Dennis Robinson   

piccola_swallowWhen it comes to holiday stories, Charles Dickens gets the plum pudding for his masterful tale of Scrooge and Tiny Tim in A Christmas Carol, now playing in cinemas and performance theatres across the nation. When we think of birds, the name John James Audubon springs to mind. A single copy of his huge illustrated book Birds of America sold recently at Sotheby’s for $11.5 million, making it the most costly book in history. But what if we combine the two – Christmas and birds? (See full story below)

 

 

The best Christmas bird story is a little-known poem by Portsmouth-born writer Celia Laighton Thaxter (1835 – 1894). The “Poet of the Isles of Shoals” is best known for “The Sandpiper.” another ornithological verse. Thaxter frequently wrote poems about birds – the kingfisher, the butcher bird, and the burgomaster gull among them. But her brief piece about a tiny swallow and a poor girl named Piccola was once an American classic, and deserves a fresh new look.  

STUDY GUIDE & MORE PICTURES of Piccola here

Poor little Piccola  

piccola_tall“Piccola” is Thaxter’s story of a French girl (although the name is usually Italian). Piccola’s family is so poor that her parents cannot afford a single Christmas gift for her. But Piccola has absolute faith that St. Nicholas will bring her a gift. She leaves out her tiny shoe to receive the gift and then goes happily to bed on Christmas Eve.  

It isn’t the best poetry. Thaxter’s rhyme and syntax are shaky, her words twisted to fit the meter. But she captures the drama and holiday spirit perfectly. We can all identify with the child’s unbridled excitement and with her parent’s guilt and concern. Celia Thaxter describes the gray skies that break on Christmas morning. We find little Piccola “just wild” with anticipation. She runs to see what the good saint has left in her shoe, but we know there is nothing there.  

Yet she dances into the room “happy as a queen,” Thaxter writes, and “never was seen such a joyful child.”  The reader wonders – how is this possible? (And how come our children get every costly toy today and still come up bored and wanting more?) Then the poet makes us wait an additional stanza, pulling us into the next room with Piccola’s confused parents. There we discover that “a little shivering bird” has flown in through the window and is resting in Piccola’s tiny shoe.  

The child is enraptured with the gift. What the reader sees as a coincidence or a miracle, Piccola sees as a validation of her good behavior in the eyes of St. Nicholas. The sparrow is a living reward, better than any manufactured toy, and she accepts it fully with a thankful heart. This is the “spirit of Christmas” in action, the miracle of hope, giving, and thankfulness. Thaxter, who once met writer Charles Dickens, accomplishes her own emotional ‘Christmas Carol” in just 36 lines of poetry.  

CONTINUE ON NEXT PAGE  



 

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