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The Flags of John Paul Jones

 

Ranger or serapis flag of John Paul Jones

 

Haunted by Jones 

"Buell is absolutely untrustworthy," says John Paul Jones expert William Gilkerson. He should know. A sailor and writer, Gilkerson is also one of America's most respected maritime artists. In his classic book, The Ships of John Paul Jones (1987) Gilkerson illustrated and discussed every single ship associated with Jones' naval career, right down to the rigging, flags, cannon, and the sailor's clothing and weaponry. Now in his 70s, Gilkerson lives in Mahone Bay, Nova Scotia.

"He has haunted me all my life," Gilkerson says of John Paul Jones. "But I had the feeling that I did get to know him." Gilkerson's work on Jones has become the standard for authenticity. In fact, Gilkerson's pictures hang beside John Paul Jones' tomb in the crypt below the chapel at Annapolis. Jones, he says, was "your basic warrior."

"He did everything he could for his crew, but he was a very stern commander all the time. He was very hard-ass," the author says, noting that Jones did not much like the men he worked with in Portsmouth and they did not like him. He compares the vertically-challenged Scotsman to the character played by George C. Scott in the movie version of Patton, standing in front of a gigantic American flag.

"I don't think he [Jones] was particularly patriotic to the United States at all," Gilkerson says. "In fact, he really liked France. He liked being known as a commander who was skillful…but he needed a flag to wave and a reason to go fight somebody." 

Unfurling the Ranger flag 

So what did the original Ranger flag from Portsmouth look like?  No one knows, Gilkerson says. According to Jones' own report, the flag on the Bonhomme Richard was shot away. Ironically a flag purported to be from the Bonhomme turned up in the Smithsonian Institution where it hung for decades until it was withdrawn as a fake in 1942. (But the "Stafford Flag" hoax is a story for another day.)

Remember that Jones, and what was left of the American and British crews, all sailed the heavily damaged HMS Serapis into the Dutch port at Texel a week after the battle. The British Ambassador there insisted that Jones be arrested as a pirate, since he represented no known country -- and he carried an unknown flag. Being no friend of the British, as the story goes, a Dutch official quickly sent an artist to sketch the United States flag flying from the captured ship Serapis. The Dutch official slipped the sketch into his record books in the nick of time, proving that the captured British ship was indeed an American prize.

That unique American flag, as depicted in the Dutch record book, has never been seen before or since. It is an odd duck. It contained red, white and BLUE stripes in no particular order. And instead of five-point stars, the 13 stars in this illustration have eight points. Historians often attribute the design of this  one-of-a-kind flag to Benjamin Franklin, since he described a similar one in a letter to a French official. Jones, who had named the Bonhomme Richard in honor of Franklin, likely adopted this flag because it was created by his friend and mentor, Mr. Franklin. 

Gilkerson agrees. After long and careful research, he adopted the Franklin flag into his precise illustrations of Ranger and Bonhomme.  Whatever flag Jones brought from Portsmouth, he says, he likely swapped it in France for Franklin's unique design. The red-white-and-blue stripe design is often called the "Serapis Flag." In an edition of flag stamps a decade ago, the U.S. Postal Service referred to this design as the "John Paul Jones Flag." 

The modern Stars & Stripes 

A second American ship, the Alliance, accompanied John Paul Jones into the battle in England. It's flag had the same eight-point stars, but its stripes were read and white like the flag we know today.

"Standardization is a modern concept that just didn't exist then," Gilkerson adds. "Modern historians are always looking for the quintessential item for a certain age -- and there really isn’t one."

That standardization did not exist until 1912, when the United States officially specified the precise details of the American flag we know today, but with the addition of many new stars.

John Paul Jones returned to Portsmouth as a conquering hero in 1782, this time to captain the huge 74-gun warship America being built at Kittery. The largest ship of its kind yet built in the world, America was 56 feet wide by 182 feet.  To celebrate the Fourth of July, historian Charles Brewster tells us, Jones fired guns off the deck of the America while it was still under construction. Fond of celebrations, Jones put on a fireworks display at his own expense that was seen by all the citizens assembled on the riverbanks in Portsmouth.

But he never got the chance to sail her. After a year overseeing the final details and launch, as the American Revolution reached its conclusion, Jones' promised ship was given to the French. Jones later fought for Russia under czar  Catherine the Great. He died in Paris in 1792, forgotten by the new American nation.

In 1905 Jones' mummified body was exhumed, photographed, and autopsied in Paris, then shipped back to the United States with great pomp and ceremony. His coffin was put on public display by President Theodore Roosevelt, wrapped one final time in the American flag.

 

SOURCES: The History of the United States Flag by Milo Quaife, Melvin J. Weig and Roy E. Applemann (1961); John Paul Jones: A Sailor's Biography by Samuel Morison (1959); The Ships of John Paul Jones by William Gilkerson (1987) and John Paul Jones and the Bonhomme Richard by Jean Boudriot, illustrated by William Gilkerson (1987).

Copyright © 2013 by J. Dennis Robinson, all rights reserved. Robinson’s history column appears in the Portsmouth Herald every other Monday and exclusively online at his independent Web site SeacoastNH.com. He is the author of 11 books including UNDER THE ISLES OF SHOALS and AMERICA’S PRIVATEER, available on Amazon.com and in local stores. 

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